Since I realize that NAVIGATING this site may be disorienting, let me suggest a few ITINERARIES.

Mi rendo conto che NAVIGARE questo sito possa essere disorientante, provo quindi a suggerire alcuni ITINERARI.

NATURE & THE CITY / NATURA & CITTA’

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ANCIENT GEOMETRIES / GEOMETRIE ARCAICHE

2019 Guardian (Angel?) (Tarquinia)

2019 Strawehenge (Talamone)

2014 Repetita Iuvant (Sauze)

2012 Concrete (Oman)

2011 Stonehenge on a Diet (Pisa)

 2009 The Procession (Porquerolles)

 2005 Gothic Revival (Sardinia)

2005 Monoliths (Sardinia)

ANTHROPIZED NATURE / NATURA ANTROPIZZATA

2011 Generation Gap (Pisa)

2011 Contemporary Topiary (Lucca + Combloux)

2008 Cowebs (Combloux)

2007 Phoenix (Combloux)

2007 Dancing trees (Combloux)

2004 Tracks in the Grass (Marche)

2002 Tea Plantation (Sri Lanka)

2000 Mangroves on Parade (Mauritius)

1997 Bolts in the Snow (Milano)

1995 Stacks (Siena)

 1993 Tracks on Green (Val d’Orcia)

1993 Trails / passaggi (Val Tidone)

 1992 Battlefield (Brianza)

1990 Two trails (Milano)

CANVAS & SAILS / TELI & VELE

2020 Christo of the Poors (Milano)

2019 Metro Sail (Milano)

2014 Ta’ Giezu (Valletta)

2012 Natural History Museum (Milano)

2019 Rags in the Sky (Milano)

2016 Mystery Shapes (Rome)

2011 Monumental Drapery (Milano)

2009 Urban Sails (Milano)

BOXES / SCATOLE

2019 Corrugated Echo

 2014-2013 Stairways to Nowhere (Tallin, Milano)

2012 Full Reverse – Indietro tutta

 2011 Boarded Up Facades (Nuoro)

2003 Building in a Box (Istanbul)

THRESHOLDS / SOGLIE

2019 Buenos Aires Thresholds

 2018 Threshold (Hong Kong)

2012 Full Reverse – Indietro tutta

2014 Do Not Open That Door (Panama)

FRAMES / CORNICI

2019 Highspeed Canvas (Santiago del Chile)

2019 Emptyness (Punta Arenas)

2018 Framing emptyness (Milano)

2017 Advertising Perfection (Yunnan)

2016 Sky Billboard (Birmania)

 2015 An Oversize White Canvas in piazza del Duomo (Milano)

SOCIAL CHAIRS / SEDIE IN SOCIETA’

 

2018 Les pieds dans l’eau (Copenhagen)

2009 Chairs in Translation (Paris)

DESTROY & BUILD / DEMOLIZIONI E COSTRUZIONI

2019 Dancing Wire Knots (Milano)

2019 Emptyness (Punta Arenas)

2019 Sh(e)dows (Porto Santo Stefano)

2018 Ghosts on the walls (various locations in Milano)

2018 The Reversed Stage (La Habana)

2018 Tears in Paris

2017 e-Commerce HQ’s Construction Site (Milano)

2016-2013 Diverted Restoration (Torino + Milano)

2015 Cabling Art (Milano)

2014 Sweet Memories (Valletta)

2011 Phantom Objects (Milano)

2010 Memories (Porquerolles)

2009 Rust and nature (Porquerolles)

2007 Fluo Geometrics (Milano)

2007 Caged Geometrics (Milano)

DUCTS / TUBATURE

2017 Plumbing as Art (Shanghai)

2016 Tubular Weaves (Hong Kong)

1996 Metal Snakes in Tuscany

PLANNED OBSOLESCENCE / OBSOLESCENZA PROGRAMMATA

2020 Ten+ Easy Pieces (Brescia)

2020 Peeling Landscapes (Brescia)

2016 Cracks (Rome)

2016 Mud on Glass (Milano)

2015 Cracking (Paris)

WARPS / DISTORSIONI

2019 The Flying Washing-Machines (Brugherio)

2019 Real Trompe l’Oeil (Milano)

2019 Raison d’être (Paris)

2018 The Waterbeater (Milano)

2016 Chalet on the Roof (Rome)

2012 Minimal Laundry (Milano)

2012 Prayers in the Wind (Gran Paradiso National Park)

2012 Trash Bin Origami

2009 Flying Mice (Several Airport Locations)

2005 The Taped Building (Stockholm)

2004 The Naked Bank (Milano)

1990 Elves dwellings (Various locations)

TRACES / TRACCE

2019 Traces, Grand Palais (Paris)

2018 Tears in Paris

2018 Pollock on the beach (Palawan)

2014 Ivy Ghosts

2014 Painting by Tires (Paris)

 2014 Painted Shadows (Paris)

2013 Pictures (?) at an exhibition (Baku)

2012 Minimalia (Hangar Bicocca – Milano)

2011 Ghost Library (Milano)

2009 Pedibus Calcantibus (Milano)

2009 Sampling (Milano)

2008 Tracks (Desenzano)

WRITING / SCRIVERE

2019 Private Property (Sabaudia)

2019 Dancing Wire Knots (Milano)

2016 Spray Paths (Paris)

2011 Writing with Light (Milano)

2010 Meaningless Lists

PLAIN GEOMETRIES / GEOMETRIE E BASTA

2019 Out of Synch Frescoes (Milano)

 2016-2009 Restrooms for creativity

2014 The Nest (Savoie)

2013 Maroc Optical (Marrakech)

2013 Pantone Maniac (Alba)

2012 Steel Flowers (Vienna)

2012 Darkness & Light (Milano)

2010 Landscaping the Sea (Sardinia)

2010 Rectangles are boring (Milano)

2009 Blacked out (Milano)

2008 Flying Stairs (Combloux)

2007 Istanbul Braces

2005 The Taped Building (Stockholm)

LIGHT & VIDEO / LUCE & VIDEO

2019 Light Walls & House in a Box (Milano)

2019 Transparencies + colors 2 (Milano)

2018 Highjacked Video Screen (Hong Kong)

2018 Fil Rouge (Milano)

 2017-2004 Transparencies + colors

2012 Darkness & Light (Milano)

2010 Colours in the underground (Milano)

2009 Nothing Store (Milano)

2009 City Neon (Milano)

2009 Electric Dreams (Milano)

GEOMETRIE ANIMALI

2008 Positive – Negative (Oman)

2008-2007 Holes and balls – Micro Land

2007 Wormking (Combloux)

2007 Alien Profiterolles (Oman)

2007 The Crabs’ Experiment – Micro Land Art (Oman)

BARBED SYMBOLS / SIMBOLI SPINATI

2016 Crown of Thorns (Hong Kong)

2012 Barbed Wire (Milano – Bicocca)

2012 Barbed Wire (Sebenico)

2010 The Pitbull Tree (Milano)

2005 Barbed Wire (Sardinia)

ARCHITECTURE / ARCHITETTURE

2019 Sh(e)dows (Porto S. Stefano)

2018 Home sweet home (Milano)

2018 The Reversed Stage (La Habana)

2017 Camouflage (Cernusco)

2004 Zero Tolerance for the Ugly

2001 Medusoids (Milano)

1990 Elves dwellings (Various locations)

1985 Venice Biennale

1984 Sand Castles (Rimini)

HOME GROWN GEOMETRIES / GEOMETRIE DOMESTICHE

2020 Black Bubbles

 2019 Chocolate Rhapsody (Milano)

 2019 Freeze the Bubble

2019 Home Dunes (Milano)

ALIGNMENTS / ALLINEAMENTI

2019 Standing to Attention (Milano Fiori)

2010 Landscaping the Sea (Sardinia)

005 Endless Benches (Sardinia)

2005 Contours (Cluny)

2000 Mangroves on Parade (Mauritius)

1994 Alignments (Lake Maggiore)

A thought to end this page:
what is the true meaning of identifying and suggesting “Itineraries”?

Identify affinities, while underlining a diversity of approaches,
or discover that continuity actually denounces the inability to reinvent myself?

Una riflessione per chiudere questa pagina:
qual’è il significato profondo di individuare e suggerire degli “Itinerari”?

Individuare affinità, pur sottolineando una diversità di approcci,
oppure scoprire che la continuità denuncia l’incapacità di reinventarsi?